{'doi': '10.1515/9789048544509-016', 'member_id': '374', 'member': 'Amsterdam University Press', 'container-title': 'The Aesthetics of Global Protest', 'primary-resource': 'https://www.degruyter.com/document/doi/10.1515/9789048544509-016/html', 'tld': 'degruyter.com', 'clearbit-logo': 'https://logo.clearbit.com/degruyter.com', 'coaccess': [{'doi': '10.2307/j.ctvswx8bm.18', 'member': '1121', 'publisher': 'Amsterdam University Press', 'url': 'http://www.jstor.org/stable/10.2307/j.ctvswx8bm.18', 'tld': 'jstor.org', 'clearbit-logo': 'https://logo.clearbit.com/jstor.org'}, {'doi': '10.5117/9789463724913_ch12', 'member': '3180', 'publisher': 'Amsterdam University Press', 'url': 'https://scienceopen.com/book?vid=bf885d6f-fed5-416c-978e-e5cb5c5b677c', 'tld': 'scienceopen.com', 'clearbit-logo': 'https://logo.clearbit.com/scienceopen.com'}], 'multiple-resolution': [], 'type': 'BOOK CHAPTER', 'published_date': '31 December 2019', 'publication': 'The Aesthetics of Global Protest', 'title': '12 When Twitter Got #woke : Black Lives Matter, DeRay McKesson, Twitter, and the Appropriation of the Aesthetics of Protest', 'name': None, 'id': None, 'location': None, 'display_doi': 'https://doi.org/10.1515/9789048544509-016', 'grant_info': None, 'grant_info_funders': None, 'grant_info_funder_ids': '', 'grant_info_type': None, 'multiple_lead_investigators': [], 'multiple_co_lead_investigators': [], 'multiple_investigators': [], 'finances': [], 'project_description': None, 'award_amount': None, 'award_start': None, 'funding_scheme': None, 'internal_award_number': None, 'editors': None, 'authors': 'Farida Vis | Simon Faulkner | Safiya Umoja Noble | Hannah Guy', 'chairs': None, 'supplementary_ids': '10.1515/9789048544509-016 | 10.1515/9789048544509'}