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{'doi': '10.2307/j.ctvqr1bnw.5', 'member_id': '1121', 'member': 'Amsterdam University Press', 'container-title': 'Boredom, Shanzhai, and Digitisation in the Time of Creative China', 'primary-resource': 'http://www.jstor.org/stable/10.2307/j.ctvqr1bnw.5', 'tld': 'jstor.org', 'clearbit-logo': 'https://logo.clearbit.com/jstor.org', 'coaccess': [], 'multiple-resolution': [], 'type': 'BOOK CHAPTER', 'published_date': '4 October 2019', 'publication': 'Boredom, Shanzhai, and Digitisation in the Time of Creative China', 'title': '‘Creative China’ and Its Potential to Problematise Western-Modern-Romantic Ideologies of Creativity', 'name': None, 'id': None, 'location': None, 'display_doi': 'https://doi.org/10.2307/j.ctvqr1bnw.5', 'grant_info': None, 'grant_info_funders': None, 'grant_info_funder_ids': '', 'grant_info_type': None, 'multiple_lead_investigators': [], 'multiple_co_lead_investigators': [], 'multiple_investigators': [], 'finances': [], 'project_description': None, 'award_amount': None, 'award_start': None, 'funding_scheme': None, 'internal_award_number': None, 'editors': None, 'authors': 'Eitan Wilf', 'chairs': None, 'supplementary_ids': None}
https://doi.org/10.2307/j.ctvqr1bnw.5
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