The publisher of this work supports multiple
resolution. The work is available from the following locations:
debug
{'doi': '10.5040/9781838710163.ch-013', 'member_id': '2984', 'member': 'Bloomsbury Publishing (UK)', 'container-title': 'Women in Film Noir', 'primary-resource': 'https://www.bloomsburycollections.com/monograph-detail?docid=b-9781838710163&tocid=b-9781838710163-chapter13', 'tld': 'bloomsburycollections.com', 'clearbit-logo': 'https://logo.clearbit.com/bloomsburycollections.com', 'coaccess': [], 'multiple-resolution': [{'url': 'https://www.screenstudies.com/encyclopedia-chapter?docid=b-9781838710163&tocid=b-9781838710163-chapter13', 'tld': 'screenstudies.com', 'clearbit-logo': 'https://logo.clearbit.com/screenstudies.com'}, {'url': 'https://www.bloomsburycollections.com/monograph-detail?docid=b-9781838710163&tocid=b-9781838710163-chapter13', 'tld': 'bloomsburycollections.com', 'clearbit-logo': 'https://logo.clearbit.com/bloomsburycollections.com'}], 'type': 'OTHER', 'published_date': '1978', 'publication': 'Women in Film Noir', 'title': '‘The Dark Continent of Film Noir’: Race, Displacement and Metaphor in Tourneur’s Cat People (1942) and Welles’ The Lady from Shanghai (1948)', 'name': None, 'id': None, 'location': None, 'display_doi': 'https://doi.org/10.5040/9781838710163.ch-013', 'grant_info': None, 'grant_info_funders': None, 'grant_info_funder_ids': '', 'grant_info_type': None, 'multiple_lead_investigators': [], 'multiple_co_lead_investigators': [], 'multiple_investigators': [], 'finances': [], 'project_description': None, 'award_amount': None, 'award_start': None, 'funding_scheme': None, 'internal_award_number': None, 'editors': None, 'authors': 'E. Ann Kaplan', 'chairs': None, 'supplementary_ids': None}
https://doi.org/10.5040/9781838710163.ch-013
JSON
XML